| First Name | Louis |
| Last Name | Prima |
| Full Name at Birth | Louis Prima |
| Alternative Name | The King of the Swing, The King of Swing, Louis Prima |
| Birthday | 7th December, 1910 |
| Birthplace | New Orleans, Louisiana, USA |
| Died | 24th August, 1978 |
| Place of Death | New Orleans, Louisiana, USA |
| Cause of Death | Brain Stem Tumour causing a Cerebral Hemorrhage resulting in a Coma leading to Pneumonia |
| Buried | Metairie Cemetery, New Orleans, Orleans Parish, Louisiana, USA |
| Build | Average |
| Eye Color | Brown - Dark |
| Hair Color | Black |
| Zodiac Sign | Sagittarius |
| Sexuality | Straight |
| Religion | Roman Catholic |
| Ethnicity | White |
| Nationality | American |
| High School | Jesuit High School |
| Occupation Text | Singer, Actor, Songwriter, and Trumpeter |
| Occupation | Singer |
| Claim to Fame | Just A Gigolo/I Ain`t Got Nobody |
| Music Genre (Text) | Jazz, Swing, Traditional pop, Jump Blues, Big Band |
| Music Genre | Jazz |
| Year(s) Active | 1936–1975, 1934–1975, 1929–1975 |
| Music Style | Blues, Vocal, Swing, Jump Blues, Traditional Pop, Early R&B, R&B |
| Music Mood | Party/Celebratory, Carefree, Exuberant, Lively, Earthy, Cheerful, Happy, Joyous, Rollicking, Playful, Fun, Humorous, Refined/Mannered, Boisterous, Gleeful |
| Instrument | Trumpet, Vocals |
| Instrument (text) | Vocals, Trumpet |
| Record Label | Capitol, Dot |
| Associated Acts | Gia Maione, Keely Smith, Sam Butera, Sam Butera (and the Witnesses), Lou Sino, Sam Butera and the Witnesses, Ray Vasquez Vocalist and Trombonist |
| Official Websites |
| Father | Anthony Prima |
| Mother | Angelina |
| Brother | Leon Prima |
| Sister | Elizabeth Prima |
Louis Leo Prima (December 7, 1910 – August 24, 1978) was an American singer, songwriter, bandleader, and trumpeter. While rooted in New Orleans jazz, swing music, and jump blues, Prima touched on various genres throughout his career: he formed a seven-piece New Orleans-style jazz band in the late 1920s, fronted a swing combo in the 1930s and a big band group in the 1940s, helped to popularize jump blues in the late 1940s and early to mid 1950s, and performed frequently as a Vegas lounge act beginning in the 1950s.